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Person
ISNI: 
0000 0001 0867 4825
Name: 
Dolmetsch, Arnold
Dolmetsch, Eugène Arnold
Dates: 
1858-1940
Creation class: 
bm
Language material
Musical sound recording
Notated music
Text
Creation role: 
adapter
author
performer
Related names: 
Corelli, Arcangelo (1653-1713)
Ferrabosco, Alfonso (ca. 1575-1628.)
Grainger, George Percy Aldridge (1882-1961)
Grainger, Percy (1882-1961)
Händel, Georg Friedrich (1685-1759)
Harman, Alec
Jenkins, John (1592-1678)
Le Cerf, commandant
Lecerf, Commandant
Munclinger, Milan (1923-1986))
Šetková, Dana
Titles: 
5-part fantasy, No. 1 : composed for 5 viols
5-part fantasy, No. 1 : in D major : for 5 viols (original instrumentation)
6-part fantasy and air, no. 1 : for six viols (original instrumentation) by William Lawes ; scored by Arnold Dolmetsch from the original manuscript parts in the British Museum (B.M. Add. MSS. 29410-15) ; expression marks and bowing by Arnold Dolmetsch.
Adagio in the Italian style
Amour de moy. 15th century French song with accompaniment for lute or originals, by Arnold Dolmetsch. The English translation by Arthur Symons, L'
ayre for treble & bass viols
cas d'ornementation chez Bach, Un
Consort Suite, 6 parts, no. 4, G minor. Fantasia; arr. [from old catalog]
Dolmetsch and his instruments.
Dolmetsch's new harpsichord.
English tunes of the 16th & 17th centuries, for the treble recorder in F; and pieces for 2, 3, and 4 recorders.
Fantasia, 5 viols, M. 3. 5-part fantasy, no. 1.
Fantasie en allemande.
Fantasy and air.
Fantasy and Almaine no. 1 : for six viols
four note pavan, The : in 5 parts : (composed around 1610)
Fourteen pieces : for the violin
Greensleeves to a ground : for descant recorder and keyboard
Have you seen but a whyte lillie grow?
Illustration of the Bardic harmony, followed by a traditional Welsk song to a harp piece with crwth ad libitum, by Arnold Dolmetsch
[Imprimés publicitaires]
Interpretace hudby 17 a 18 století
interpretation of the music of the 17 and 18 centuries, The : revelated by contemporary evidence
interpretation of the music of the 17th and 18th centuries, The
Interpretation of the music of the XVII and XVIII centuries, revealed by contemporary evidence, by Arnold Dolmetsch, The
interpretation of the music of the XVII and XVIII centuries, The : revealed by contemporary evidence
Interpretation of the music of the XVIIth and XVIIIth centuries, revealed by contemporary evidence. Appendix containing twenty-two illustrative pieces, The
interpretation of the music of the XVIIth and XVIIIth centuries, The : revealed by contemporary evidence
Lady Katherine Audley's bells and an ayre for treble & bass viols, c1955:, The
[Lettre de Arnold Dolmetsch au commandant Le Cerf, 2 décembre 1924]
[Lettre de Arnold Dolmetsch au commandant Le Cerf, 2 février 1925]
[Lettre de Arnold Dolmetsch au commandant Le Cerf, 25 février 1925]
[Lettre de Arnold Dolmetsch au commandant Le Cerf, Haslemere, 11 novembre 1924]
[Lettre de Arnold Dolmetsch au commandant Le Cerf, Haslemere, 13 septembre 1924]
[Lettre de Arnold Dolmetsch au commandant Le Cerf, Haslemere, 15 août 1924]
[Lettre de Arnold Dolmetsch au commandant Le Cerf, Haslemere, 15 octobre 1924]
[Lettre de Arnold Dolmetsch au commandant Le Cerf, Haslemere, 19 novembre 1924]
[Lettre de Arnold Dolmetsch au commandant Le Cerf, Haslemere, 22 septembre 1924]
[Lettre de Arnold Dolmetsch au commandant Lecerf, 29 janvier 1927]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 12 septembre 1925]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 14 mars 1927]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 15 mai 1925]
[Lettre de Arnold Dolmetsch au Commandant Lecerf, Haslemere, 16 janvier 1927]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 1er décembre 1928]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 1er février 1931]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 2 avril 1928]
[Lettre de Arnold Dolmetsch au Commandant Lecerf, Haslemere, 20 janvier 1927]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 20 mai 1925]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 24 avril 1925]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 24 décembre 1927]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 25 mai 1927]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 29 mai 1928]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 30 mai 1927]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 5 juin 1925]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, 6 aout 1925]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Haslemere, Pâques 1927]
[Lettre de Arnold Dolmetsch au commandant Lecerf, Hyères, 2 avril 1927]
[Lettre de la Dolmetsch foundation au commandant Lecerf, 19 décembre 1927]
Marche du roy], [La
Menuet de Zélindor
Pavane;
Photograph of "Arnold Dolmetsch at the clavichord".
Praeludium and fughetta
prelude, A
Premier prélude
Quatrième prélude
Quatrième suite
Romance
same march, more varied, The
Second prélude
Select English songs and dialogues : of the 16th and 17th centuries
Select French songs from the 12th to the 18th century
set of English pieces; for bass or treble recorder and piano [or] harpsichord, [or] harpsichord, A
Seven English pieces; for sopranino or treble recorder and piano [or] harpsichord
Six trios : for two violins and violoncello, or pianoforte; or as quartets, with violoncello and pianoforte
Sonata 5
Sonata n° VI (First movement)
Sonata n° VI (Fourth movement )
Sonata V : 1 er. livre
Sonate;
Sonates.
Tablature and tunes, for the treble recorder in F.
Translations from the Penllyn Manuscript of ancient harp music
Tunes for the descant recorder in C, and 2, 3, and 4 recorders.
Twelve easy pieces
Twelve sonatas for the violin : Op. 5
Violin sonates
Werken.
Ym Mhontypridd mae
Notes: 
Sources: 
VIAF BAV BNF DNB LC NKC NLI NLP NTA NUKAT SUDOC WKP
BLSA