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Person
ISNI: 
0000 0001 0895 4878
Name: 
Fried, M.
Fried, Michael
Dates: 
1939-
Creation class: 
article
Language material
text
txt
Creation role: 
author
contributor
writer of accompanying material
Related names: 
Brunet, Claire (1964-...)
Caro, Anthony (1924-)
Caro, Anthony Alfred (1924-)
Durand-Bogaert, Fabienne
Harbison, John
Hickey, Dave (1940- ))
Lange, Christy
Louis, Morris (1912-1962)
Menzel, Adolph (1815-1905)
Moorhouse, Paul
Pasadena Art Museum
Ray, Charles (1953-....))
Sternfeld, Joel
Sternfeld, Joel Peter (1944-....))
University of California Press
Wagner, Anne
Titles: 
Absorption and theatricality : painting and beholder in the age of Diderot
Another light : Gericault's romanticism and other essays
another light: jacques-louis david to thomas demand
Anri Sala catalogue réalisé à l'occasion de l'exposition... au Centre Pompidou, Galerie sud, 3 mai-6 août 2012
Anthony Caro
Apollonius of Perga's Conica text, context, subtext
Art and objecthood
At first light
Barthes's Punctum
Between Realisms : From Derrida to Manet
Boston collection, The
Charles Ray sculpture 1997 - 2014 : [exhibition, Basel, Kunstmuseum, June 15 - September 28, 2014 ; Chicago, The art institute, May 17 - October 4, 2015]
Contre la théâtralité du minimalisme à la photographie contemporaine
Courbet's realism
Critical complexities of Clement Greenberg, Michael Fried, and T.J. Clark
Essays. Selections
Flaubert's "gueuloir" : on Madame Bovary and Salambô
Four honest outlaws : Sala, Ray, Marioni, Gordon
Frank Stella : an exhibition of recent paintings, Pasadena Art Museum, October 18 to November 20, 1966, Seattle Art Museum Pavilion, January 12 to February 12, 1967.
Frontiers in gastric emptying : proceedings of an International Symposium : held in Lausanne, Switzerland, September 26 to 28, 1993
Jeff Wall, Wittgenstein, and the Everyday
lugar del espectador estética y orígenes de la pintura moderna, El
Manet in His Generation : The Face of Painting in the 1860s
Manet's modernism or, the face of painting in the 1860s
Menzel's realism : art and embodiment in nineteenth-century Berlin
Menzels Realismus Kunst und Verkörperung im Berlin des 19. Jahrhunderts
modernisme de Manet ou Le visage de la peinture dans les années 1860, Le
moment of Caravaggio, The
Morris Louis
next bend in the road, The
Other hands : [poems]
Photographs 1974-1999
place du spectateur, La
Pourquoi la photographie a aujourd'hui force d'art
powers
"Punctum" de Roland Barthes, El
Realism, writing, disfiguration : on Thomas Eakins and Stephen Crane
Refracting vision essays on the writings of Michael Fried
Response to Caroline A. Jones
Simple daylight : soprano and piano
Stephen Shore
Thomas Demand : animations
Thoughts on Caravaggio
Three american painters Kenneth Noland, Jules Olitski, Frank Stella : Fogg Art Museum Havard University 21 April-30 May 1965
Three Poems
To the center of the earth
Warum Photographie als Kunst so bedeutend ist wie nie zuvor
Why photography matters as art as never before
Works.
Writing back to modern art : after Greenberg, Fried and Clark
Contributed to or performed: 
CRITICAL INQUIRY
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