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Person
ISNI: 
0000 0001 1028 1393
Name: 
Mehta, Bejun
Dates: 
1969-
instruments: 
Voices - Counter tenor
Creation class: 
Musical sound recording
Projected medium
Creation role: 
performer
vocalist
Related names: 
Akademie für Alte Musik Berlin
Benjamin, George (1960-)
Händel, Georg Friedrich (1685-1759))
Handel, George Frideric (1685-1759)
Jacobs, René (1946- ))
Los Angeles Chamber Orchestra
Rivera, Jennifer
Rossacher, Hannes (1952-...)
Schmutzhard, Daniel
Spinosi, Jean-Christophe (1964-...)
Visse, Dominique (1955- ))
Titles: 
Agrippina [Dokument dźwiękowy]
Agrippina drama per musica in tre atti : original version (dec. 1708)
Agrippina : dramma per musica in tre atti : original version (dec. 1709)
Amadigi di Gaula
[Arrangements. Purcell, Henry. Let the night perish. Z 191]
[Arrangements. Purcell, Henry. Lord, what is man. Z 192]
At middle-field gate in February (3 min 10 s)
Bejun Mehta [SR] 1983:
Bejun : songs and arias of Handel, Schubert, Brahms, Britten.
belle dame sans merci, La
Belshazzar
Bright is the ring of words (1 min 50 s)
Down by the salley gardens (2 min 46 s)
Down by the salley gardens 20th century English songs
Duette, Kl Orch, 2008
Giulio Cesare dramma per musica in three acts, HWV 17
Giulio Cesare in Egitto.
Giulio Cesare [SR] p2003:
Hey, ho, the wind and the rain (1 min 51 s)
horseman (1 min 11 s), The
It was a lover and his lass (2 min 21 s)
Jillian of Berry (34 s)
Job's curse (5 min 42 s)
King David (5 min 01 s)
Linden Lea (2 min 25 s)
little boy lost (2 min 12 s), The
Lord, what is man ? (5 min 55 s)
Messiah oratorio in three parts HWV 56
midsummer night's dream, A
Music for a while (3 min 36 s)
Old mother Hubbard
Ombra cara
Orlando
Radamisto
Riccardo primo, re d'Inghilterra
Rinaldo [opera seria in tre atti ; HWV 7a] ; original 1711 version
Rodelinda
Rodrigo
Set in the manner of Handel (2 min 20 s)
Shakespeare songs, op. 6
sigh (3 min 28 s), The
Silent noon (4 min 23 s)
Since we loved (1 min 17 s)
Sosarme
Take, o take those lips away (1 min 25 s)
Tamerlano [Spectacle]
Theodora
Three Shakespeare songs
Tolomeo, re d'Egitto
widow bird (1 min 48 s), The
Written on skin
Contributed to or performed: 
Giulio Cesare: Act I, Scene I. Coro: "Viva, viva il nostro Alcide" (Egyptians)
Giulio Cesare: Act I, Scene IX. Recitativo: "Cesare, alla tua destra" (Tolomeo, Cesare, Achilla)
Giulio Cesare: Act I, Scene V. Recitativo: "Regni Cleopatra" (Cleopatra, Nireno, Tolomeo)
Giulio Cesare: Act I, Scene VI. Aria: "L'empio, sleale, indegno" (Tolomeo)
Giulio Cesare: Act I, Scene VI. Recitativo: "Sire, Signor!" - "Achilla!" (Achilla, Tolomeo)
Giulio Cesare: Act I, Scene X. Recitativo: "Sire, con Sesto, il figlio questa è Cornelia" (Achilla, Tolomeo, Cornelia, Sesto)
Giulio Cesare: Act II, Scene IV. Aria: "Si spietata, il tuo rigore" (Tolomeo)
Giulio Cesare: Act II, Scene IV. Recitativo: "Bella, cotanto aborri chi ti prega d'amar?" (Tolomeo, Cornelia)
Giulio Cesare: Act II, Scene IV. Recitativo: "Bella, placa lo sdegno!" (Tolomeo, Cornelia, Achilla)
Giulio Cesare: Act II, Scene IX. Arioso: "Belle dee di questo core" (Tolomeo, Cornelia)
Giulio Cesare: Act II, Scene IX. Recitativo: "... di quel che avete in doppie stelle accolto" (Tolomeo, Cornelia, Sesto)
Giulio Cesare: Act II, Scene X. Recitativo: "Sire, prendi!" - "Che fia?" (Achilla, Tolomeo, Sesto, Cornelia)
Giulio Cesare: Act III, Final Scene. Coro e Duetto: "Ritorni omai nel nostro core" - "Un bel contento il sen già si prepara" (Egyptians, Cleopatra, Cesare)
Giulio Cesare: Act III, Scene II. Aria: "Domerò la tua fierezza" (Tolomeo)
Giulio Cesare: Act III, Scene II. Recitativo: "Vinta cadesti al balenar di questo mio fulmine reale" (Tolomeo, Cleopatra)
Giulio Cesare: Act III, Scene IX. Recitativo: "T'arresta, oh genitrice!" (Sesto, Tolomeo, Cornelia)
Giulio Cesare: Act III, Scene VIII. Recitativo: "Cornelia, è tempo omai" (Tolomeo, Cleopatra)
Notes: 
Sources: 
VIAF BNF DNB LC NKC NLP NTA NUKAT SUDOC WKP